Jon Hammond Journal July 22, 2012 Report
Jon Hammond | NAMM.org Oral History Interview Date: January 13, 2011 Full Version
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Jon Hammond | NAMM.org Oral History Interview Date: January 13, 2011
http://www.namm.org/library/oral-history/jon-hammond
Jon Hammond
Jon Hammond
Special Thanks: Joe Lamond president and chief executive officer of NAMM
Hiromitsu Ono Suzuki Musical Instrument Chief Engineer
Waichiro Tachi Tachikawa Suzuki Musical Instrument Corporation, 鈴木楽器製作所 Suzuki Gakki
Betty Heywood, director of international affairs at NAMM
Manji Suzuki President and Founder of Suzuki Musical Instruments Hammond Suzuki here with Jon Hammond at the New B3mk2 Organ in Suzuki Hall Hamamatsu World Headquarters
Actual NBC Chimes - This is how it was actually done On-The-Air Kids! - Jon Hammond http://en.wikipedia.org/wiki/NBC_Chimes The NBC chimes, named for the radio and television network on which they have been used, consists of a succession of three distinct pitches: G3, E4, and C4 (middle C), sounded in that order, creating an arpeggiated C-major chord in the second inversion, within about two seconds time, and reverberating for another two or three seconds. The intervals of this progression are up a major 6th from G3 to E4 and down a major third from E4 to C4. The chimes were the first ever audio trademark to be accepted by the U.S. Patent and Trademark Office. Contrary to widespread belief, the "G-E-C" sequence is not a reference to the General Electric Company (now a minority shareholder in NBC's current parent company), which did not acquire NBC until 1986; however, GE's radio station WGY in Schenectady, New York was an early NBC affiliate, and GE was an early shareholder in RCA, which founded NBC by creating it as a subsidiary. The chimes were originally used as a cue for radio stations across the network to begin broadcasting their station identifications or local feeds. After their use as a formal network communications signal ended around the 1970s as the result of automation, the chimes has been used ever since as an audio logo or signature for NBC. An elegant solution: the station break The chimes were originally conceived to help solve a problem inherent in early network radio broadcasting: the vast majority of which was live, rather than pre-recorded. At the top of each hour, any individual broadcaster (on radio, TV or other broadcast band) must identify itself by callsign and the name of the community where its broadcast license has been issued, in compliance with Federal Communications Commission (FCC) regulations. For example: "This is WHYY, Philadelphia." Therefore it might seem efficient for a small radio network (three to seven stations, for instance) to accomplish this chore by having a single announcer "on the network", whose voice is transmitted to all the local stations, read the short list of local callsigns and corresponding communities for about ten seconds each hour, during an extended broadcast period. However, this practice becomes quite inefficient as a network grows, consuming valuable commercial airtime.[1] Hence it was determined in early big-network radio days that this job, among others, had to be done locally, on a pre-determined cue from the network itself. The simplest way to accomplish this is with a spoken announcement (sometimes called an outcue), and its special format has a familiar ring. For instance: "We pause now for ten seconds for station identification: this is the NBC Television Network". This phrasing alerts a local announcer to put him/herself on the air and formally identify the local station. The Today Show, broadcast for four hours live every weekday on NBC, uses a special spoken outcue for station breaks: "This is Today on NBC." Indeed, as a public relations technique, this task is often offered to a member of the live audience assembled in Rockefeller Plaza outside the Today studio. For the network pioneers at NBC in the late 1920s, a more simple, elegant and consistent solution than an announcer's voice, with its individual distinctiveness, was sought. It was decided by a three-person committee (consisting of Oscar Hanson, a former engineer of AT&T, Earnest la Prada, an NBC orchestra leader, and the NBC announcer Philip Carlin) that the simplest way to do this would be to create a musical cue which would sound to signal the end of programs. Essentially, NBC wished to brand itself in sound, a sound that any listener would immediately recognize. [edit]History The chimes came to their familiar configuration and sound after several years of on-air development. They were first broadcast over NBC's Red and Blue networks on November 29, 1929. However, there are disagreements about the original source of the idea. One story is that they came from WSB in Atlanta which allegedly used it for its own purposes until one day someone at NBC headquarters in New York City heard the WSB version of the notes during a networked broadcast of a Georgia Tech football game and asked permission to use it on the national network. The NBC chimes were invented by Robert Blanchard. The company tested the chimes during 1927 and 1928 when it experimented with several possible combinations of notes. The first sequence consisted of the seven notes G-C-F-E-G-F-E. However, since the original NBC chime machine was an actual set of chimes which the announcer would play 30 seconds before the end of every half-hour to signal the end of a program, it was left to the announcers to play this trademark sequence without error, which was unavoidable with such a lengthy cue. The chime sequence was shortened to G-C-F-E and then, on November 29, 1929, the cue was shortened for the final time, and the three well-known notes G-E-C were heard on NBC radio for the first time. Despite the relative simplicity and efficiency of the new, shorter chime sequence, problems still existed in other musical aspects of the sequence, such as the tempo, rhythm, and volume at which it was played, as well as the musical tone of the set chimes. Therefore the NBC chimes were mechanized in 1932 with a unit that could play the sequence perfectly and consistently. Richard H. Ranger, a former Radio Corporation of America (RCA) engineer who also invented an early form of the modern fax machine, invented the NBC chime machine that generated the notes by means of finely tuned metal reeds that were plucked by fingers on a revolving drum, much like a musical box. NBC had several of these chime machines made which they set up at major network locations across the country, including Los Angeles, New York, Chicago, and San Francisco (which actually had two machines, a main one and a backup.) It is estimated that no more than a dozen of these machines were ever made, and even fewer are currently in existence. The technical purpose of the mechanical chimes was to send a low level audio signal of constant amplitude that would be heard by the various switching stations manned by NBC and AT&T engineers, but not disturb the listening audience. This would serve as the system cue for switching the myriad local stations between the NBC Red Network and NBC Blue Network feeds as scheduled, as well as signalling the pause for local station identification immediately thereafter. In essence, it was the audio equivalent of a traffic signal. Because of fears of offending commercial sponsors by cutting their live network programs off in mid-sentence, the mechanized chimes were always rung by an announcer pushing a button in conjunction with the program’s conclusion; they were never set to an automatic timer, although heavy discussions on the subject were held between the Engineering and Programming departments throughout the 1930s and 1940s. On November 20, 1947, NBC filed with the U.S. Patent and Trademark Office to make the chimes a registered service mark for identification of radio broadcasting services, the first such audible service mark to be filed with that office. Registration was granted on April 4, 1950; the registration number was 0523616, serial number 71541873. This registration expired on November 3, 1992, as NBC Radio became part of broadcasting history. However a separate service mark registration was made in 1971 for identification of television broadcasting services (serial 72349496, registration 0916522). While this registration is still active, the chime was heard for the final time on the NBC television channel in 1976, the 50-year anniversary of the chime; the chime is now used only for various smaller purposes on the channel.[2] The chimes go modern Their use as a formal network communications signal ended around 1971, the result of automation. Television flagship WNBC in New York kept the sound of the chimes alive, though. In 1974, it incorporated the sequence into the opening of its synthesized theme music for NewsCenter 4 (sharpening the pitch by a half-step). The stinger was heard at the opens to the newscasts' 5, 6 and 11 p.m. hours. Eventually, NBC Radio adopted WNBC-TV's NewsCenter 4 stinger as its top-of-the-hour news sounder. With alterations (and a brief interruption in the early 1990s), WNBC has used a form of the chimes on its newscasts ever since. The music used on NewsCenter 4, NBC Radio-TV Newspulse by Fred Weinberg, was later used for NBC Nightly News in the 1970s and NBC News bulletins/special reports in the 1970s and 1980s. The usage of the NBC chimes continues in local newscasts on NBC stations to this day, in fact many NBC stations play the NBC Chimes at the end of the weather segment of the newscast, when the extended forecast is shown. In 1976, the chimes were revived nationally in celebration of the 50th anniversary of the network. Modern musical versions of the three-note chimes are still in popular use on the NBC radio and television networks (and are the opening and closing notes of the current edition of the NBC Nightly News theme song), as well as in the closing logo of NBC Universal Television Studio, the TV production arm of NBC's current immediate parent, NBC Universal. From 1982 to the early 1990s, most NBC voiceover promos at the end of network shows would begin with the chimes. From 1982 to 1987, the chimes would blend into an instrumental version of the promo slogan that NBC would be using at the time. The Today Show made the chimes the centerpiece of its theme in 1978, resolving a legal dispute between the network and the composers of the musical Godspell. The musical composers felt that the Ray Ellis-penned closing theme Today used since 1971 (which was also the show's opening theme since 1976) was lifted from the classic Godspell song "Day by Day." Using the chimes as his template, Ellis composed a new theme song, which stuck. Although Today has used a segment from John Williams' NBC News music package The Mission since 1985, Ellis's revised composition has been used on and off during portions of Today ever since. NBC News uses a version of the original chimes for special breaking news reports that interrupt regular programming on the network and/or its stations. NBC's on-air promotions for the fall 2008 television season featured the chimes prominently alongside the new slogan "Chime In". Several used alternate versions tied to specific shows' themes: for example, ringing telephones for The Office; the ringing of cash registers for Deal or No Deal; and objects striking metal for America's Toughest Jobs. The use of chimes as an audio logo is not unique, as other broadcasters, including Britain's ATV and Mexico's Televisa Canal de las Estrellas have used similar chimes. The Canal de las Estrellas chimes, for example, consist of eight musical notes. [edit]The chimes quoted in music Many composers have used the NBC chimes as their signature for their news packages, many of which were made exclusively for NBC stations. Some songwriters have quoted the sequence as well, and NBC-owned radio stations such as WNBC (AM) incorporated the melody into their station ID jingle packages. A few examples include: NBC Stations by Edd Kalehoff The Tower by 615 Music The Rock by Stephen Arnold The NBC Collection by Frank Gari L.A. Groove by Groove Addicts Nothing But Class and The Only One by JAM Creative Productions "Let's Go" by Ray Charles on his 1961 album Genius+Soul=Jazz "Do Your Thing" by Isaac Hayes "Here's Love" from the Meredith Willson musical Here's Love. It plays during the lyric "from CBS to NBC." [edit]The "Fourth Chime" The variant sequence B - D + G = G, based on a G-major arpeggio in second inversion, was known as "the fourth chime". According to an NBC Interdepartment Correspondence memo, dated April 7, 1933 documents the conception and initial purpose of the fourth chime. The memo states "In anticipation of the Spring and Summer months, when many in key positions will not always be available at home telephones, the following Emergency Call System will go into effect on Monday morning, April 16." The memo goes on to say that whenever a fourth tone is heard on the network chimes rung at fifteen minute intervals, it will indicate that someone on an attached list is wanted. Upon hearing this fourth chime, all personnel on the list are instructed to call in to the PBX operator to ascertain whether or not the Emergency Call is for them. The chime would continue at fifteen minute intervals over stations WEAF and WJZ until the wanted person communicated with the PBX operator. The list contained the names of the following NBC executives: John F. Royal John W. Elwood Frank Mason J de Jara Almonte The list also included names of personnel from Engineering, Press, Programming, Traffic, and Service departments. The "fourth chime" was also used to notify affiliates and their employees of pending urgent programming. This variant saw such use during wartime (especially in the wake of the attack on Pearl Harbor) and other disasters, most notably the Hindenburg disaster in 1937. According to NBC historians, the last official use of the "fourth chime" was in 1945, shortly after the end of World War II. However, according to a handwritten note appended to an NBC internal memo originally dated 1964 on the history and usage of the standard chime, this chime variant was used one final time in 1985 to symbolize the merger with GE. This recording of this variant exists Frankfurt Germany -- Bandstand shot from Jon Hammond of Chuck Plaisance, Bobby Kimball and Tommy Denander at 2012 Musikmesse Frankfurt on the Agora Stage Youtube http://www.youtube.com/watch?v=AR-tVxndAKE The "Jam of the Year Band" http://www.youtube.com/watch?v=Wcy1arOJrRQ 2012 Frankfurt Musikmesse backstage at the big Agora Stage just seconds before going on the bandstand in concert with Tommy Denander's Allstar band, with footage from the concert of Hendrix tribute playing Little Wing with these great musicians: "The legendary Jam-of-the Year Band" with Bobby Kimball (TOTO), Tommy Denander (guitar player, e.g. for Michael Jackson), Bruce Gaitsch (guitar player, e.g. for Richard Marx), Chuck Plaisance vocals, Curt Bisquera (drummer, e.g. for Tina Turner) und Jekko S. Jon Hammond at the Sk1 Hammond organ, Zlatko Jimmy Kresic keys, Pi TTi Hecht percussion *(Curt Bisquera - Drums (Tina Turner, Seal, Elton John) Tommy Denander - Guitar (Michael Jackson, Alice Cooper, Paul Stanley) Bruce Gaitsch - Guitar (Madonna, Richard Marx, Celine Dion) Jekko S. - Bass feat. Bobby Kimball, and some others...) on Agora Stage @Music Fair in Frankfurt March Frankfurt Germany -- Jon Hammond Band - Jazzkeller Frankfurt Youtube http://www.youtube.com/watch?v=AJT522j_nPQ 2012 Annual Musikmesse Warm Up Party hosted by Jon Hammond Band in Jazzkeller Frankfurt "Get Back In The Groove" / Tribute to 9/11 by Jon Hammond with Tony Lakatos tenor sax, Joe Berger guitar, Giovanni Gulino drums, Jon Hammond at the Hammond Sk1 organ, special guest Lee Oskar harmonica. This performance marks 26 years consecutive attending Musikmesse Frankfurt and it was also on the birthday of Jon Hammond March 20th, 2012 with a big chocolate on chocolate cake baked by Saray Pastanesi Baeckerei & Konditorei bakery on Mainzer Landstrasse 131. 60327 Frankfurt am Main http://www.jonhammondband.com/ New York NY -- 2 serious Cello Players with Cellos crossing at W.44th and Eighth Avenue, yield to the Celloists folks! Jon Hammond Radio Day By The Bay -- Jon Hammond in the Holy Grail of Radios folks! http://www.californiahistoricalradio.com/event/live-at-kre-radio-day-by-the-bay-2012/ Live at KRE - “RADIO DAY BY THE BAY 2012″ Radio Day By The Bay -- This KLH Radio is one of my favorite radios, sounds fantastic folks! Jon Hammond KLH Model Eight FM table radio - designed by Henry Kloss http://en.wikipedia.org/wiki/Henry_Kloss Kloss began his custom of eponymous products by lending his last name's initial to KLH as a founder in 1957, along with Malcolm Low and J. Anton Hofmann (son of pianist Józef Hofmann) who had also been investors in AR. At Cambridge-based KLH, Kloss continued to build speakers such as the classic KLH Model Five and Six, and produced one of the first small FM radios with high selectivity, the Model Eight. Though KLH was sold to the Singer Corporation in 1964, Kloss remained at the firm for a short time to assist in the development of additional speakers and electronic music products, and the firm continued to attract design and engineering talent. Kloss created the first solid state record player, the KLH Model Eleven. In 1962, he collaborated with Ray Dolby of Dolby Laboratories to develop the B version of the Dolby noise reduction system to reduce tape hiss. This resulted in the KLH Model Forty reel-to-reel tape recorder, Dolby's first foray into the consumer product market. By 1967, Kloss had left KLH. KLH was eventually sold to Kyocera, and production was shifted overseas. By 1979, nearly all of the original design and engineering team had left the company. My Dad's 1967 Lincoln Continental Convertible - 'Suicide Doors' *similar to the car President John F. Kennedy had his last ride in - has massive 464 cu. inches engine: http://hammondcast.tumblr.com/ Anaheim California -- Cats, could you bring a few more cameras next time?! Jon Hammond - Winter NAMM http://thedrumnetwork.ning.com/profiles/blogs/breaking-news-namm-president-ceo-joe-lamond-says-95-000 Breaking News NAMM President/CEO Joe Lamond Says 95,000 Attendance Broken 3rd Day of 4 Day Winter NAMM 2012 Jon Hammond Reporting 2 years ago I played a midnight showcase show with Bernard Purdie at NAMM in the Hilton Lobby - Pocket Funk http://www.youtube.com/watch?v=afTagFhYOCo Pocket Funk Bernard Purdie and Friends NAMM + Flash Back 1989 For Flash Back 1989 Mikell's Pocket Funk Video: http://video.google.com/videoplay?docid=-2831189635144040422&hl Pocket Funk LIVE JON HAMMOND Band w/BERNARD PURDIE at Mikell's NYC *Note: Listen to the crowd of mostly musicians actually roar after Joe Berger's guitar solo! - JH - Hilton Hotel Lobby - JH Frankfurt Germany -- Thank you for the Flowers! - Jon Hammond presented to Jon from Christine Vogel - Messe Frankfurt Projekt Team there with Peggy Behling in behalf of Musikmesse Frankfurt for 25 years *Youtube http://www.youtube.com/watch?v=hozrJpHvV-4 Celebration Cake - Mainzer Landstrasse 131, 60327 Frankfurt am Main, Eugen Hahn Jazzkeller Frankfurt Team Kleine Bockenheimerstr. 18a Frankfurt Radio Day By The Bay -- Type 545A Oscilloscope for bench testing at California Historical Radio Society - Jon Hammond http://www.thevalvepage.com/testeq/tek/545a/545a.htm A dual trace oscilloscope utilising plug-in units for the 'Y' amplifiers. Apparently there are 102 valves in this thing ! Hell, there are 14 of 'em in just the power supply ! Yet its still lighter than the Cossor. Lined up in rows, hanging upside-down, valves everywhere ! And a ruddy great fan at the back trying to keep it all cool. The scope was manufactured for a number of years, as illustrated by the April 1961 advert [138K] shown opposite. But check out the £600 price tag ! To put this into perspective, this represented half the yearly salery for a typical design engineer. Whilst a manufacturing plant was set up in Guernsey (off the souther coast of Great Britain), I wonder just how much of the scope was manufactured there and how much was "simply" assembling modules built in the state... R.I.P. Jon Lord L to R: Joe Berger, Jon Lord, Michael Falkenstein - at Release of Hammond SK-1 and SK-2 Stage Keyboards at 2011 Musikmesse Worldwide For Immediate Release http://hammondjazz.wordpress.com/2011/04/01/sk-1-and-sk-2-hammond-suzuki-stage-keyboards-hammondcast/ California Historical Radio Society, Journal, July 21, 2012, Jon Hammond, Jazz, Blues, Broadcast, Bay Bridge, NAMM, Musikmesse, Frankfurt, Sk1, Organ, Oral History, Cheryl Jennings New York NY -- Last night in Dizzy's Club Coca Cola Igor Butman & Moscow State Jazz Orchestra played one of the greatest concerts I ever heard in my life folks! I highly recommend to go see and hear them while they are here in New York City from Moscow! - Jon Hammond http://jalc.org/dccc/details09.asp?EventID=3159 Tue-Sun, Jul 17-22 (Jul 18: 7:30pm Sold Out) 7:30pm & 9:30pm plus 11:30pm on Fri & Sat "In his homeland of Russia, Butman is as influential with the cultural and political elite as a certain trumpeter here in America is. So it's no wonder that he is in the position to bring his state assisted orchestra. The saxophonist is a world-class player, arranger, and no doubt - talent scout, so expect a hyped up energized group of musicians aiming not just to please, but to blow away. A fitting analogy would be as if the Jazz at Lincoln Center Orchestra was playing in Moscow. You know they'd be more than ready. Igor Butman, tenor/soprano saxophone, leader; Alexander Dovgopolyy, saxophones; Illya Morozov, alto saxophone, clarinet; Dimitry Mospan, saxophones; Alexander Sakharov, saxophones; Oleg Borodin, Pavel Ovchinnkikov, Alvetina Polyakova, Nikolay Shevnin, trombones; Pavel Zhulin, Alexander Sakharov, Denis Popov, trumpet; Anton Baronin, piano; Vitaliy Solomonov, bass; Eduard Zizak, drums; plus special guests on trumpet, saxophone, vocals, et al." special thanks Manager Marat Garipov and Lord Todd Barkan — Vitaly Solomonov, Dmitry Mospan, Konstantin Safyanov, Alevtina Polyakova, Alexander Dovgopoly and Pavel Ovchinnikov at Dizzy's Club Coca-Cola New York NY -- Folks, my good friends from Igor Butman Moscow State Jazz Orchestra played one of the greatest concerts I ever heard in my life last night! Even after playing 2 x 2 hour sets, they are going down to the Village after hours to play more in Smalls! Thank you for the great great music! - Jon Hammond *here after show in front of Jazz at Lincoln Center - make sure to hear the entire orchestra in Dizzy's Club Coca Cola, there are still a few more nights remaining Iliya Morozov,Konstantin Safyanov, Ed Zizak, Makar Novikovand Evgeny Sivtsov, Alevtina Polyakova at Jazz at Lincoln Center Dizzy's Club Coca Cola -- Igor Butman Orchestra rhythm section and part of horn section, Nick Levinovsky piano and arranger, Igor Butman tenor saxophone,Konstantin Safyanov Ed Zizak drums, Vitaly Solomonov bass and the cats sounding fantastic in cola club! - Jon Hammond — withVitaly Solomonov, Dmitry Mospan, Ed Zizak,Konstantin Safyanov and Alevtina Polyakova atDizzy's Club Coca-Cola Alexander Dovgopoly doubling on Piccolo - choreography section of show - danger zone if not executed precisely, could get hit in the head by trombone! - JH Igor Butman & Moscow State Jazz Orchestra - I highly recommend to go see and hear them while they are here in New York City from Moscow! - Jon Hammond http://jalc.org/dccc/details09.asp?EventID=3159 Tue-Sun, Jul 17-22 (Jul 18: 7:30pm Sold Out) 7:30pm & 9:30pm Alvetina Polyakova blowing a fantastic solo on trombone last night with Igor Butman & Moscow State Jazz Orchestra - they played one of the greatest concerts I ever heard in my life last night folks! I highly recommend to go see and hear them while they are here in New York City from Moscow! -Jon Hammond The Saxophones of Igor Butman and the Bass of Vitaly Solomonov ! - Jon Hammond Front Line Saxophones -Alexander Dovgopoly doubling on Piccolo - Nick Levinovsky Piano and Vitaly SolomonovBass of Igor Butman & Moscow State Jazz Orchestra - I highly recommend - Jon Hammond Alexander Dovgopoly blowing a smokin' solo on baritone saxophone last night with Igor Butman & Moscow State Jazz Orchestra - they played one of the greatest concerts I ever heard in my life last night folks! New York NY - Fifth Avenue & 57th St. -- "You're looking very chic...Why thank you, you're looking very chic also! Where do you buy your clothes? The same place you buy yours of course!" - Jon Hammond Moscow, Igor Butman, Eduard Zizak, JALC, Organ, Sk1, Jon Hammond, Jazz, Blues, Funky, Local 802 Musicians Union, Russia Jon Hammond 10 Years Before in Moscow Russia with Igor Butman tenor sax and Ed Zizak drums *WATCH THE VIDEO HERE: Easy Living in Moscow Russia Jon Hammond Trio with Igor Butman and Ed Zizak http://www.archive.org/details/JonHammondJONHAMMONDTriow_IgorButman_EduardZizak_EasyLiving_ JON HAMMOND Trio w/ Igor Butman & Eduard Zizak "Easy Living" Organist & CBS/KYCY Radio Host JON HAMMOND playing in Trio with Russian tenor saxophonist IGOR BUTMAN & EDUARD ZIZAK-drums in LE CLUB in THEATRE TAGANKA. The beautiful Ballad "Easy Living" *JENNIFER-Camera *Special Thanks-FAINA COBHAM, HAMMOND SUZUKI, ALEXANDER VERSHBOW *STORY: http://community.webtv.net/ GoldenPenMan/BLUESINTHEMOSCOW http://www.youtube.com/watch?v=ufJ1zC1hthY *WATCH THE VIDEO HERE: Joe Franklin Thanksgiving at The Laugh Factory http://www.youtube.com/watch?v=b_-mYcrxtTo 8,702 Jon Hammond on the scene covering Joe Franklin's annual Thanksgiving show and free turkey dinner at Laugh Factory NYC, a great tradition, Miracle on 42nd St.! Owner Richard Basciano an icon of Times Square says "By giving this holiday gift we want to give our thanks to the people NYC for making us what we are today ." No one should be alone on this day of giving thanks and all are invited. Come out for a day of food and fun and share good times with friends. Happy Thanksgiving from Times Square Arts Center and The World Famous Laugh Factory. Enjoy Joe Franklin legend of Radio & TV here! jh http://www.HammondCast.com *WATCH THE VIDEO HERE: When I Fall In Love in The jazzkeller Frankfurt http://www.archive.org/details/JonHammondWhenIFallInLoveinThejazzkellerFrankfurt Musikmesse Warm Up Party in Jazzkeller Frankfurt hosted by Jon Hammond Band Tony Lakatos tenor sax Jon Hammond XK-1 organ Giovanni Gulino drums When I Fall In Love special thanks Eugen Hahn Jazzkeller Frankfurt Team, Musikmesse, Waichiro Tachikawa Suzuki Hammond, Michael Maier Falkenstein Hammond Deutschland, Video Camera by Jennifer http://www.jonhammondband.com http://www.youtube.com/watch?v=5bwqe0YbzSY http://www.archive.org/search.php?query=hammondcast&page=11 *WATCH VIDEO: Conversations Show Part 1 Harold Channer and Jon Hammond MNN TV http://www.archive.org/details/JonHammondConversationsShowwithHaroldChannerandJonHammondMNNTV Excerpt from 'Conversations Show', Harold Channer with guest TV/Radio Host & Producer Jon Hammond on MNN TV in New York City. Hear Harold and Jon discuss Public Access Television and play a clip from Jon's very first broadcast on MCTV Channel C 'The Jon Hammond Show' with original music and graphics from BackBeat Productions that aired for first time Feb. 2, 1984. Jon's TV show is now in it's 24th year and he is hosting daily radio show 'HammondCast Early Edition http://www.HammondCast.com Harold Hudson Channer and Jon Hammond in the studios of MNN TV The famous envelope containing program labels for The Jon Hammond Show on MNN TV Jon Hammond Show Still images
Labels: 2012, Bay Bridge, Blues, Broadcast, California Historical Radio Society, Cheryl Jennings, Frankfurt, Jazz, Jon Hammond, Journal, July 21, Musikmesse, NAMM, Oral History, Organ, Sk1
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